According to Europe, I’m a “person of color,” “Pakistani,” “Muslim,” “brown male” and various other identities that mean nothing to me. Meanwhile in Pakistan, I had other identities to contend with regarding the linguistic backgrounds in my family, the province I lived in, religious sects… But really, I could care less about these things. I’ve always identified as an outsider and an outcast. Thus every sort of identity feels like a burden on me. There are more fluid and interesting ways to understand the diversity of human cultures and groups that exist… Let’s deconstruct this sh*t.
Category: Punk
GUILLERMO MILLAN – SINKING INTO MADNESS. <<THE DARK>>
I’ve been friends with everyone in The Dark before we started working together, especially the guitarist, Robert. We’ve been friends since the 2000’s. In our earlier years, we played in bands together, silkscreen printed, and ran punk distros way before social media. Our friendship has always been tight and fun with a heavy focus on… Continue reading GUILLERMO MILLAN – SINKING INTO MADNESS. <<THE DARK>>
TALKING VENUES: 1ST STREET POOL & BILLIARDS.
My uncle and dad bought 1st Billiard’s in 1969, opened up the bar in 1970, and picked up another location downtown called 5 Star. He always took me under his wing so I would barback & help out when I could. I was 12 or 13 years old when I started dropping by. My dad got ill in 91/92’ and I was asked to take over. I didn’t plan on it but it was something that I had to take in.
DESMADRE – NEGATIVE SHINE.
LUIS: Art is everything within creating a vibration of sound, whether it be cumbia, hardcore, rap, metal… It’s our creative expression, from Chucky coming up with a riff, to the creative bassline that Brando lays down, to the backbone of the drum parts and Martin’s interpretation of that, to whatever Carlos ends up writing out…… Continue reading DESMADRE – NEGATIVE SHINE.
CONCUSSION.33 ft. JUNKJIVES.
I’ve been listening to heavy music my whole life. My dad influenced me a lot; he grew up when the punk scene was really popping in the valley. I love the anger that comes with the music. It’s raw and unfiltered and beneficial for everyone involved. When I perform & see people f*cking with my drumming, it makes me want to play harder and with more energy. I think I’ve really changed my perception on things since I started playing shows – listening to what people in the scene have to say about struggles and everyday issues really opened my eyes to how intense life can be.
SVA – KTOWN HXC.
DIY gives us a chance to have a voice. It gives opportunities to smaller groups that don’t have the chance to play in venues and develop a lot of exposure and experience.
ENTER: CHIMERA.
Our main focus is to speak up on fem-forward and societal issues that others might be uncomfortable bringing up themselves. We also try to have fun playing music.
ROB COONS – PURSUIT OF DISORDER.
I want someone to be able to walk up to my photo & feel the happiness, the rage, the sadness; the intensity of the moment. Pure emotion and energy.
DANCEFLOORMURDER.
It took me 20 years of doing music to realize that I should be a paid photographer. And it took a few years of being a paid photographer for it to pull me back into music, the right way.
PRETTY HECTIC – DEVIATED STATE.
It’s weird because we’ve been around for a long time and we’re still trying to get on all the cool hardcore shows. Like, we want to play For The Children – it would be cool to get that reach and put Harbor Area on the map, but we’ve heard through people that we don’t get put on big hardcore shows because we’re just a ‘backyard band.’ You play too many punk shows, so we can’t take you seriously.