Category: Film

Undertones with Suitcase Joe.

Initially I set out to document Skid Row historically, better than anyone else has. I wanted to thoroughly capture the neighborhood. What I didn’t know would happen, was that I’d fall in love with the people and the place and that it would change my perspective on life all the way around.

RANDY BOOGIE.

I hate talking about my achievements because my paintings derive from graffiti and I never got into design so I could flaunt. But it is necessary so people understand where you’ve been and where you’re going. I guess I got over that when I landed that art direction gig for the Super Bowl… Lil Wayne’s crying cause he’s not performing halftime, people cried when I made Native motion graphics for the game entrance . But it was the most eyes I’ve ever had on my ART. It was surreal and exciting. I needed to feel that.

OCHO OJOS.

With a team of two, some tasks are naturally easier, while others become harder to complete. The brainstorming process usually happens organically – one idea leads to another, and sometimes some ideas get dropped. Others get put away for future projects. Like with any creative endeavor between people, there is always some friction. Herb and Josh have learned that a mutual respect for each other and their work, keeps them evolving and helps them work out creative difference in every aspect of the Ocho Ojos project.

Four Years In A Vacuum – Violet Menace.

Originally, I considered going into teaching art, which is something that a degree would help with, but I don’t feel passionate about it. It’s not something I wanted to do – it’s something I felt like I had to do, to have a career. The last thing we need is more teachers who aren’t passionate about teaching.

MILLY Behind the Scenes w/ Justice Vaughn Ott, feat. Mark Cheche

“I met with upcoming director Justice Vaughn Ott by the LA river for a chat over coffee & record shopping. Carving a name for himself through camera work for Atiba Jefferson on Turnstile music videos, Fender sessions, & First We Feast, he’s now channeling his own brand of directing. Having worked with MILLY on every video since he left the band, he’s currently collaborating with Deaton Chris Anthony, Momma, & more artists…”